Britain's Got Talent winner's Spelbound want to be in Olympics

Spelbound (pic: ITV)

Winning Britain's Got Talent is the perfect springboard for Spelbound - to claim Olympic gold for the nation.

The talented troupe are on a mission to get acrobatic gymnastics in the Games for the first time and go for glory at London 2012.

Spelbound pulled off a stunning routine to take home the s100,000 top prize on Saturday night in front of a 19 million ITV1 audience.

In a breathtaking live move, Edward Upcott was thrown over the heads of judges Simon Cowell, Piers Morgan and Amanda Holden.

Simon said: "On live TV, that was one of the most astonishing things I've ever seen. In Olympic terms, it would have won a gold medal." Those words may be prophetic.

Olympics chiefs, who introduced medals for BMX bike riding at Beijing 2008, are discussing including another new event for 2012.

Spelbound insist acrobatic gymnastics is a better candidate than skateboarding, which is being considered. Artistic gymnastics is a recognised Olympic sport, but acrobatic gymnastics is not on the list.

So Spelbound have to pay their way to enter competitions around the world and are not eligible for National Lottery funding.

To send one person to a championship competition costs s1,400. Head coach Neil Griffiths said: "They have to pay for travel and buy their own kit and national flag. There's training costs and buying outfits and paying for choreography. It's a lot of hard work for little reward.

"When you are a non-Olympics sport, to go to the world championships places enormous pressure on the families. I hope this will make a big difference".

Team member Doug Fordyce said: "We are all in full-time work or education - otherwise we couldn't afford to do it." Winning the s100,000 is just the first step of a new life for the 13-strong We s t London-team, who celebrated until 4am with their families on Saturday night. An insider revealed: "One of the parents won about s2,000 by betting s300 quite early on the team to win."

Spelbound are now being flooded with offers from as far as Las Vegas to come and perform. US rapper Usher has asked if they could teach him some moves. Last year's BGT winners Diversity have asked to train at Spelbound's Heathrow Gymnastics Club. And they are being considered for a role in the London Olympic opening ceremony.

Neil said: "It's quite overwhelming and fantastic that all the hard work paid off. But, for now, the team have to train for the World championships."

The peak audience of 19 million for the final was down from the 23 million of last year when the spotlight was on singing sensation Susan Boyle.

WHERE ARE SPELBOUND BOUND?

1 NICK ILLINGWORTH, 25, GYMNASTICS COACH: I've been concentrating on my gymnastics career. This is a huge reward and I just hope I can pay my parents back for driving me to gym ever day for so many years.

2 ALEX UTTLEY, 25, GYMNASTICS COACH: I coach kids aged 6-12 so I'm giving back to the sport what it's given to me over the past 16 and a half years.

3 HOLLI AMWOOD, 13, STUDENT: I think that performing has been really fun.

4 ADAM BUCKINGHAM, 21, PERSONAL TRAINER: I currently work but I would really like to perform at the Olympics. That has been my dream.

5 AMY MACKENZIE, 12, STUDENT: I'm still studying at school, so the experience has been amazing.

6 DOUG FORDYCE, 20, ADMIN ASSISTANT: I want to help my family out. My mum and dad lost their business last year and they have got some debts, so I really want to help them to pay them off.

7 EDWARD UPCOTT, 18, STUDENT: I've just finished college, studying performing arts. Winning means so much to get some recognition for our sport. I want to keep on training with Spelbound and see where it takes us

8 KATIE AXTEN, 17, STUDENT: I've got my exams in just a couple of weeks. I was going to spend the prize money on helping pay for my university fees - but I don't think I'll be going until next year now.

9 JOHN STRANKS, 15, STUDENT: I just hope winning the show can change my life. I'll remember it for ever.

10 LAUREN KEMP, 18, STUDENT: I just want to treat my parents and pay them back for everything they've done for me and the sacrifices they've made in the 14 years I've been doing gym.

11 LEIGH ANNE COWLER, 19, GYMNASTIC COACH: I've been doing gymnastics since I was just two years old. It's nice to get something out of it and get recognition for the sport.

12 ABIGAIL RALPH, 16, STUDENT: I think the opportunity this show has given me is incredible.

Neil Griffiths, 37, COACH AT HEATHROW GYMNASTICS CLUB: My main interest for entering was to help to increase the profile of the sport. Everything else we get from here on in is a bonus for us.

Adam McASSEY, 21, COACH: This experience has been totally incredible. To be asked to go out to America and perform is something that I really want to do.

The making of Brand Rooney: He is seen as the ultimate boy next door but Wayne’s worldwide image has been manipulated and controlled from the start

In the latest issue of Esquire magazine there is a photograph of Wayne Rooney standing, foot on the ball, in a back alley somewhere in northern England.

The photograph is in black and white and the message is a nostalgic one, reinforcing the idea of Rooney as a throwback to a previous era when footballers had names like Stan and Jimmy and earned two bob a week. Rooney: the last of the line, the last of the street footballers.

It is a half-convincing portrait. The atmosphere conveyed is wet-day, northern grime, and with Rooney content at that.

Brand Rooney: The original 2005 photograph has had the Coca-Cola branding

Brand Rooney: The original 2005 photograph has had the Coca-Cola branding

The picture says: ‘This is where I’m from, a back alley in Liverpool. OK?’ And it is indeed the sort of scene to be found in Croxteth and parts of many northern cities.

It’s just that although Rooney may be sporting unbranded clothing in the published version of the 2005 photograph (the Coca-Cola branding on his T-shirt having been erased), the ball on which Rooney’s left foot rests so naturally carries a Nike Swoosh.

The photograph is, therefore, an advert and advertising is a sometimes harmless, sometimes not, distortion of the truth. As such it benefits Rooney in two ways.

First, there is the re-statement of him as an image — the throwback British street player who connects us through Dalglish, Greaves, Finney and so on.

Second, there is money. What Nike pay for this association with Rooney is a reported £1million per year. What is certain is that it is more than the £12 a week Tom Finney earned at Preston North End in the 1950s.

This is hardly Rooney’s responsibility. It is where we are and where he is. For all the back-alley advertising — or Nike’s latest with Rooney bearded in a caravan — the reality is he is very much of the glossy modern sporting world. He is as much of a one-man brand as David Beckham.

Occasionally it feels there is a perception that on a line between Beckham’s willing golden handcuff with celebrity and, say, Paul Scholes’s brilliant ginger anti-fame, that Rooney is closer to Scholes. It may not be correct.

Rooney has embraced his status, if not quite with the gusto of Beckham, then with his own brand of eagerness.

A life in words: Rooney released his first autobiography, My Story So Far, in 2006

A life in words: Rooney released his first autobiography, My Story So Far, in 2006

In the 2006 edition of Rooney’s first autobiography, My Story So Far, he, via eminent ghostwriter Hunter Davies, said: ‘One of the things that Paul fought for when negotiating my first professional contract was my image rights.

‘This is more common now, since David Beckham’s time, and it can earn a player more than his football income. I think I was the first ever 17-year-old to have image rights written into his first professional contract which meant I would get a percentage of all commercial rights sold by the club from the start.’

Paul is Paul Stretford, Rooney’s controversial, influential and wealthy agent.

Rooney said that having been on £75 per week as an Everton apprentice, his first professional salary was £8,000 per week. That was for playing football. On top of that was £5,000 per week for image rights. Thirteen thousand pounds a week for a 17-year-old.

Recent court documents revealed that at Manchester United Rooney earns £90,000 per week — due to go up on his next contract — and £760,000 per year in image rights.

The phrase ‘image rights’ is now part of professional football. It is a way of Cristiano Ronaldo, for example, telling Real Madrid that if his signing sparks an increase in shirt sales, he should be rewarded for that separately from his salary.

Ronaldo is routinely referred to as ‘CR9’ in Spain as if he is a separate organisation. It is a marketing triumph. But the separate companies created for a player’s image rights payments have made the UK’s Inland Revenue suspicious.

There may be a court case. If so, Rooney will be unmoved. In his seven-year professional career he has already learned of court cases. It is another facet of the life of the modern, globalised footballer. Rooney and Stretford are at present awaiting the outcome of a rather significant one.

Pushing the brand: Rooney fronted the latest version of the hugely popular computer game, FIFA 10

Pushing the brand: Rooney fronted the latest version of the hugely popular computer game, FIFA 10

Rooney, as you may have noticed, is everywhere as we build to a World Cup. There are billboards across the country with him staring menacingly at a bottle of Powerade. The television advert prior to England’s friendly with Mexico showed him bare-chested scything across a pitch. There is a deal with Coca-Cola, one with Tiger Beer in Asia, another with EA Sports.

The latter company produce computer games and Rooney is one of the faces of that ever-expanding virtual world. It feeds into that lengthy Nike advert in which Rooney appears with a selection of the world’s best players and Homer Simpson.

That is another indicator of Rooney’s mushroomed A-list, Hollywoodesque fame — The Simpsons is broadcast in 90 countries. Last week American magazine Entertainment Weekly nominated The Simpsons ahead of Harry Potter as the greatest TV or film creation in the past two decades.

Rooney is now part of that media stratosphere. He and wife Coleen appear to have passed through that OK!, Hello magazine celebrity world and moved upwards into another where they don’t sell pictures of their new-born baby, Kai.

Once the World Cup is over, his fame will be seen again when Rooney, Didier Drogba, Steven Gerrard, Cesc Fabregas and David Villa participate in a ‘gladiator-style’ skills contest at London’s O2 Arena. The winner on the night collects £500,000.

Rooney has also been giving some carefully handled interviews. Stretford has a reputation for control that would impress the Chinese government — questions are faxed ahead and Rooney’s replies, any photographs and headlines are subject to approval from his agent.

To Uefa’s Champions League magazine Rooney said he still does ‘a bit’ of boxing after training ‘but obviously not fighting’; to Match of the Day magazine there was a chat about parrots; to The Sun, on site at the making of that Nike advert, Rooney said he sometimes sleeps on an aeroplane floor to hear the hum of the engine.

This is all part of a process that transforms a self-confessed ‘scally with a cob on’ to in-demand international commodity. It is branding and re-branding.

There is an example to follow, as Rooney said: Beckham. His rise from floppy-haired Manchester United midfielder from Leytonstone to sarong-wearing, front-page superstar is an arc of fame and fortune to which so many inside football aspire.

Everywhere: Powerade are just one of a number of companies using Rooney in ad campaigns during the World Cup

Everywhere: Powerade are just one of a number of companies using Rooney in ad campaigns during the World Cup

Beckham started a production line of celebrity that lifts a footballer out of his narrow sporting fame and into other realms. In Japan alone Beckham was used to sell petrol, chocolate and mobile phones among other products. His fame, originating in the No 7 shirt at United, was used to shift merchandise on the other side of the world. This is far from Denis Compton’s Brylcreem.

Now Rooney is doing so: his image has become a sales device. Increasingly it is global. A strong World Cup would do no harm.

Caroline McAteer of The Sports PR Company was Beckham’s publicist for eight years from 1998. She witnessed the rise of the Beckham industry from the inside.

‘I think David was the first footballer to see the importance of being global as football is a global sport,’ McAteer said. ‘More players are now seeing that.

‘With David, there was the goal from the halfway line that made people aware of him, the ’98 World Cup sending-off that saw him all over the front pages.

Breaking the mould: David Beckham's transition from back pages to front was the first in a new era of 'image rights' players

Breaking the mould: David Beckham's transition from back pages to front was the first in a new era of 'image rights' players

'I think with Rooney the commercial interest in him is purely because of his incredible talent as a player.’

Not that ‘Team Rooney’ wished to be too closely associated with Beckham. In fact, in room 44 of Manchester Mercantile court in February, details emerged of a marketing strategy that deliberately distanced itself from Beckham.

In court it was stated the brand strategy recorded in internal documents for ‘Team Rooney’ was: ‘Wayne is a street fighter, a product of the terraces, the antithesis of DB [David Beckham]. He’s earthy, real, not manufactured, what you see is what you get.’

Judge Hegarty QC, intervened to say ‘street fighter’ should read ‘street striker’. The latter is the name of another Rooney enterprise, a television series.

Considering the number of endorsements, the scale of the companies involved and their global reach, the Rooney strategy has worked. Who gets paid is another matter but his image is right, the last of the street footballers.

The court case centred on Rooney’s agent, Stretford, and his October 2008 departure from the Formation/Proactive Agency to which Rooney was contracted for eight years from the age of 17.

Stretford, who was given a nine-month operating ban by the FA in July 2008, took Rooney away from his original agent, Peter McIntosh, in 2002. Formation — now JGG — have claimed £4.3m in lost earnings since Stretford left and took Rooney, and Coleen, with him.

Stretford now represents Rooney via the Triple S Agency, which includes former Newcastle United chairman Freddie Shepherd and agent son Kenneth. A verdict is awaited. It could come any time, say on Friday, the day before England’s opening World Cup game against the USA in Rustenburg.

In the meantime Rooney will just train on. Whenever a judgment arrives, the impression is that even if Stretford loses, Rooney will simply shrug those squaddie shoulders and play on. He has done so before and in circumstances more personally trying: the leaving of Everton.

Once a Blue.... : Rooney, with Colleen McCloughin (c), Sir Alex Ferguson (right) and agent Paul Stretford (left), joined Manchester United after a stunning Euro 2004 campaign

Once a Blue.... : Rooney, with Colleen McCloughin (c), Sir Alex Ferguson (right) and agent Paul Stretford (left), joined Manchester United after a stunning Euro 2004 campaign

After that noisy statement of a goal against Arsenal in October 2002, Rooney was back on the bench the next week at West Ham.

There was no goal this time but the following game was at Leeds United. Everton had not won at Elland Road in the league since 1951. Ten days after his 17th birthday, Rooney went on with 15 minutes remaining. Five minutes later he scored the game’s only goal and another piece of club history was his. His third Premier League goal, in December against Blackburn, was also a winner.

The Croxteth teenager had shaken the season awake. Yet on Boxing Day, Rooney revealed that other side to his game, the raging bull. In 838 appearances for Manchester United, Ryan Giggs has never been sent off; in his 22nd game for Everton, Rooney was dismissed at Birmingham City for a nasty challenge on Steve Vickers.

The country was in a very early getting-to-know-you phase. Then Sven Goran Eriksson stepped in and called up Rooney for England and we had Roo-mania. It was Everton manager David Moyes who told Rooney of the callup. Rooney thought Moyes was referring to England’s Under 21s.

Friend or foe: Rooney (left) went to court with David Moyes

Friend or foe: Rooney (left) went to court with David Moyes

It would be understandable had Moyes doubted even then his ability to control the phenomenon of Rooney. With hindsight Moyes has acknowledged that, when he said earlier this year: ‘I think we weren’t ready for Wayne. Do I think we would be better now? Yes.’

Moyes spoke generously of Rooney, but it was only after an outbreak of prolonged hostility between the prodigy and the Everton manager — and a court case.

Moyes, highly regarded as a man and a manager, was 39 when he joined Everton in March 2002. Rooney was emerging from the youth team. Quite an inheritance, some might say.

Part of the process that makes a modern superstar footballer a product is the obligatory autobiography. Beckham was 24 when he participated in the writing of My World.

Rooney was 20 when Harper-Collins, a worldwide publisher with Rupert Murdoch as its ultimate owner, agreed a £4m advance for five books over 12 years. Hunter Davies, a writer who knew The Beatles and Danny Blanchflower, was commissioned to prise the ‘life story’ from Rooney.

The first instalment of the book did not receive universal praise but then these football books are often reviewed by people with a disdain for what we once called the working class. Rooney’s book is aimed at children as much as adults.

Moyes was certainly interested in it. He sued. Reading chapters 11 and 14 of the 2006 publication it is possible to see why. Moyes may have noted inaccuracies but to the reader it is the tone that is striking.

Rooney, hitherto and afterwards, friendly, modest and engaging, is suddenly cocksure and mocking in tone. Moyes, a man of substance with a Glaswegian awareness of the grassroots of the game, comes across as some form of irritant to the original jumpers-for-goalposts footballer. And his agent.

In court Moyes won. The £5m Harper-Collins paid had an estimated £500,000 on top. Prior to Everton beating Manchester United in February, Moyes was asked again about Rooney.

‘Wayne phoned me up a year ago to apologise and to say that the things he’d put in his book were wrong, and he’d made a mistake,’ Moyes said. ‘I had to give him a lot of credit for that.

‘I said to him, “No problem, that’s fine. It just shows the maturity and where you’re coming to”.

‘The maturity has come from the people around him as well. But also from the boy. He had all the ability. Nobody can take credit for Wayne’s development. Wayne’s the last of the street players I can remember.’

Motor sport: I’ll be back, says Valentino

VALENTINO Rossi is in good spirits and joking following an operation on a broken leg suffered during his horrific fall on Saturday.

The Fiat Yamaha rider suffered a compound fracture of his right shinbone when he came off his bike in practice for yesterday’s Italian MotoGP at Mugello and spent two-and-a-half hours in surgery.

Rossi’s bid to retain his world title has been ended by the injury, which could see him sidelined for four to five months. However, the 31-year-old remains upbeat.

He said: “I’ll come back soon. I was afraid, now it’s a lot better. It will take time, the important thing is to return to 100%.

“It was a bad fall, a bad injury, but it’s going well.”

CUP: Hamlin Showing More Strength

Denny Hamlin made one mistake Sunday. Fortunately, it came after he had soared to a solid victory in the Gillette Fusion ProGlide 500 Sprint Cup race at Pocono Raceway.

LINK> UNOFFICIAL RESULTS: GILLETTE FUSION PROGLIDE 500 - POCONO PDF> UNOFFICIAL DRIVER POINTS: GILLETTE FUSION PROGLIDE 500 - POCONO

While celebrating his fourth win of the season with an extended burnout on the track’s frontstretch, Hamlin let his Toyota slip to the left, and it slammed into the outside wall, crumpling the left front.

The damage was clearly visible in victory lane, a spot Hamlin visited at Pocono for the fourth time, but, considering the big positives of the day, it was barely a footnote.

For Hamlin, it was win No. 4 at Pocono, a track he seems to have adopted as his own.

“I just search around and seem to find what works,” Hamlin said. “The thing is, though, I've got cars good enough to where I can run 80 percent all day and still be able to keep up with the guys. That’s what makes it easy for me to look really good is the fact that I don't have to push my car over the limit and it still has speed.”

Hamlin won the race in an overtime green-white-checkered run but came within a few feet of winning in regulation. A late-race caution flag flew an instant before the white flag, and Hamlin barely missed crossing the finish line in time to freeze the field and effectively end the race.

“I was right there,” Hamlin said. “With two laps to go, I asked Mike [crew chief Mike Ford], I said, ‘Hey, should we start conserving just for fuel?’ I was running the last 10 laps once we had the lead hard enough to make sure the guys weren't catching us.

“I said, ‘Should I slow down, make sure we have enough fuel in case of a green-white-checkered?’ He said, ‘No, get that white flag as quick as you can, come around this track as fast as you can.’ The second half of the lap, I picked it up. I was like, ‘All right, I'll try to get there.’ I realized anything can happen.

“I was, I mean, a hundred yards maybe from the start/finish line when the caution did come out.

“That’s why I like winning them better this way, though. It’s not just walking away; you really got to earn it.”

The key to the green-white-checkered restart, Hamlin said, “was just getting off turn one ahead of those guys. Once I did that, I knew it was pretty much race over.”

Hamlin now is firmly in the group of favorites chasing the championship.

“I feel like we’re one of four or five guys that really are legitimate, week in, week out, up-front guys,” he said. “That's a good feeling right now. But it’s very tough to stay on top of any sport for an entire year. Our sport is a rollercoaster. It goes up and down. It has waves. Your performance always comes in waves.

“But I’m definitely very confident in what we have planned for the Chase, the cars we have planned for the Chase. Right now we are being conservative, believe it or not, in our attempt for this season. Hopefully, we peak at the right time. I mean, anyone would say, ‘Yeah, you’re peaking now.’ Really, I feel like the best is yet to come.”

LINK> UNOFFICIAL RESULTS: GILLETTE FUSION PROGLIDE 500 - POCONO PDF> UNOFFICIAL DRIVER POINTS: GILLETTE FUSION PROGLIDE 500 - POCONO

Mike Hembree is NASCAR Editor for SPEEDtv.com and has been covering motorsports for 28 years. He has written several books on NASCAR, including "NASCAR: The Definitive History of America's Sport" and "Then Tony Said To Junior: The Best NASCAR Stories Ever Told". He is a six-time winner of the National Motorsports Press Association Writer of the Year Award.

Conroy worried over free-to-air's loss of French Open

TENNIS-FRA-OPEN-ROLAND-GARROS

Spectators applaud during the awards ceremony after Italy's Francesca Schiavone beat Australia's Samantha Stosur in the women's final match in the French Open tennis championship at the Roland Garros stadium, on June 5, 2010, in Paris. Schiavone won 6-4, 7-6. AFP PHOTO/JACQUES DEMARTHON Source: AFP

SAMANTHA Stosur's appearance in the final of the French Open has created a headache for Communications Minister Stephen Conroy and the various television networks that are trying to nut out changes to the anti-siphoning rules governing sports broadcasting.

The quarter-finals, semi-finals and finals of the French and US Open tournaments were likely to be removed from the list of sporting events "protected" for free-to-air television as part of a revamp of the broadcast rules, expected to be announced in coming weeks.

The potential exclusion of the French Open means that Stosur's straight-sets loss against Italy's Francesca Schiavone could be one of the last times Australian viewers can enjoy the red clay of Roland Garros on free-to-air television.

On current form, Stosur is likely to make the final rounds of next year's tournament. A scenario in which a finals match were shown exclusively on pay-TV's Fox Sports is understood to worry senior government officials.


The Rudd government is expected to retain the general thrust of the regulations -- which already include sports such as AFL, NRL and the Australian Open tennis -- but is expected to offer pay-TV concessions by cutting some golf and tennis events played overseas as well as introducing a "B-list" for some football games.Senator Conroy has consistently argued it is good public policy for mainstream sport to be shown on free-to-air television and is keen to avoid consumer unrest related to any tinkering with broadcast rules.

The concerns raised by Stosur's march to the French Open final demonstrate the highly sensitive nature of the proposed changes, which have been the subject of fierce lobbying from media companies and sports administrators.

The retention of the French and US Open finals on the list would frustrate tournament organisers as well as Foxtel, which is 50 per cent owned by Telstra, with James Packer's Consolidated Media Holdings and News Limited holding 25 per cent each. ConsMedia and News Limited, which publishes The Australian, each own half of Fox Sports.

Tensions between the government and pay-TV executives were raised earlier this year when Senator Conroy announced that commercial free-to-air networks would receive more than $250 million in licence fee rebates this year and next year.

The French Tennis Federation told a federal government review of sport on television in October that the current arrangements limited the amount of revenue it could generate from Australian broadcasters and "affects the ability of responsible sports bodies to license their rights freely".

The Nine Network holds the rights to each of the overseas grand slam matches but on-sells the final rounds of the French and US Opens as well as some Wimbledon matches to Fox Sports. The agreement with Fox Sports allows Nine to take back popular matches, which is what the network did with Stosur's finals appearance.

Games played in a different time zone that do not involve an Australian player tend to rate poorly, so the offshore grand slams are considered expensive programming by the free-to-air networks. However, Stosur's loss in the final on Saturday night attracted an average metropolitan audience of 1.1 million people.

It is believed Senator Conroy is reluctant to frustrate tennis fans and may seek an arrangement that ensures free-to-air networks are allowed to show finals matches featuring an Australian.

All Wimbledon matches are included on the anti-siphoning list but early-round matches are likely to be removed.

Other likely changes are the inclusion of international Twenty20 cricket matches played in Australia.

ROSE AND McDOWELL ON THE RISE

Justin Rose and Graeme McDowell are up to 33rd and 36th in the world after their wins on both sides of the Atlantic.

Rose's first US Tour victory at the Memorial Tournament lifts him 33 spots, while McDowell improves just eight after lifting the Wales Open at Celtic Manor.

Welshman Rhys Davies, runner-up there just as he was to Luke Donald in Madrid the week before, moves into the top 50 for the first time at 45th.

Because of the relative strengths of the fields - Tiger Woods and Phil Mickelson were competing in Ohio - Rose earned 66 ranking points compared to McDowell's 38.

Latest leading positions in the world golf rankings:

1 Tiger Woods 10.33pts, 2 Phil Mickelson 9.48, 3 Lee Westwood 7.54, 4 Steve Stricker 7.33, 5 Jim Furyk 6.86, 6 Ian Poulter 5.72, 7 Ernie Els 5.69, 8 Luke Donald 5.66, 9 Paul Casey 5.57, 10 Rory McIlroy 5.32

11 Anthony Kim 4.99, 12 Martin Kaymer 4.75, 13 Robert Allenby 4.66, 14 Padraig Harrington 4.46, 15 Camilo Villegas 4.24, 16 Zach Johnson 4.11, 17 Retief Goosen 4.10, 18 Geoff Ogilvy 4.00, 19 YE Yang 3.81, 20 Lucas Glover 3.78

Other leading Europeans:

26 Henrik Stenson, 33 Justin Rose, 34 Robert Karlsson, 35 Alvaro Quiros, 36 Graeme McDowell, 37 Sergio Garcia, 38 Ross Fisher, 40 Edoardo Molinari, 41 Francesco Molinari, 44 Miguel Angel Jimenez,

45 Rhys Davies, 48 Peter Hanson, 57 Oliver Wilson, 60 Soren Hansen, 63 Soren Kjeldsen, 70 Anders Hansen, 71 Simon Dyson, 73 Brian Davis, 79 Ross McGowan, 81 Chris Wood, 85 Fredrik Andersson Hed, 86 Fredrik Jacobson, 90 Alexander Noren, 95 Gonzalo Fernandez-Castano, 100 Shane Lowry

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